Dreams By Machine

May 14, 2012

Oh, Bernina, Mon Amour

Filed under: Artworks — Tags: , , , , — admin @ 3:45 am

I love my Bernina 1020. (Yes, this is a total tool geek moment. All those who don’t appreciate it can leave the room now.)

It is all metal. It is solid and heavy and a monster to lug around. And it puts up with everything, from heavy cow hide to chiffon. I tote it around in an unlovely travel bag and bring it everywhere, from on set to the streets of Milan. It is just awesome.

I’ve had it for over 20 years.  Best graduation present ever. It was $1000 in 1990 and I’ve maybe had to do 5 major repairs, which is amazing considering all I’ve put it through. And last week it went down.

Oh, the hated sound of the timing going out. That unlovely “clunk” when needle meets bobbin case and there’s nothing for it but to send it to the shop. (And while I was at it, I sent in the shears for sharpening. Well, not all of them. Only 7 pairs. I mean, I still need SOMETHING to work with. I’m not an animal.)

Yes, I had a loaner plastic Brother sewing machine and a couple of old pairs of shears. As a replacement, that was PATHETIC. Sure. It’s a perfectly fine light home use sewing machine. But it couldn’t sew through more than 2 thin layers of leather! Zig-zagging wire over buckram was right out. I couldn’t even alter a pair of boots.

(Yes, I ask a lot of a machine. But the Bernina can do it!)

I am so glad to have it safely back home. I knocked out a leather mask in 7 minutes and cackled all the way through the process.

I am so glad to have my shears happily sharpened.

Maybe I’ll even part with the overlock machine long enough to get the blades replaced… but no. That’s asking too much. I can’t be without it for a week and a half.

Doesn’t anyone do housecalls any more?

April 24, 2012

Non-Disclosure Agreements?

Filed under: Artworks — admin @ 5:55 pm

What’s that got to do with art?

More than I can say.

For me and many working artist I know, being a full-time artist does NOT mean we’re only working on our own art. For a variety of reasons  (usually about money) we’re also making art for others.

And sometimes that means non-disclosure.

I can’t show everything I make- until it’s aired, the film is out for distribution, the event has happened… and by that time I’ve usually moved on. Ever tried taking decent photos of a screen shot? Ewww.

I want to show you pictures of the work Morgan Culture and I did for the World of Wearable Art competition, but I can’t. Not yet. Not until it’s gone through the final processes and the event goes up. Non-disclosure can come into play even when it’s my own art.

Sometimes process shots are all I can give.

Hey. A little mystery never hurt anyone. I will show what I can, when I can.

April 9, 2012

WOW- now in preselection mode!

Dancing with Mannequins

Dancing with Mannequins

Well, seriously wow.

Morgan Culture and I got our collaborative piece preselected for the World of Wearable Art show in Wellington, NZ.

Find Morgan’s blog post about it here.

And now we’re finishing it up and getting it ready to pack on out to NZ. By slow boat.

I can’t show any pix of the finished piece- competition restrictions and all that. If you promise not to post them online, you can contact me and I can send you a link!

In the meantime- I CAN show you process shots….

Inspiration image

Inspiration image

First sketch

First sketch

2 machines, 2 operators, one outfit

2 machines, 2 operators, one outfit

March 18, 2012

The Origins of Garmentia

Because every character needs a back story…

The Origins and background of Garmentia, The Fixer and K-O-Tique. Come and meet them on Wednesday night at Club Impulse!

Early entry at 10 PM. There’s events all night long, so come on out and play…impulse

The Monte Cristo
3100 Wilshire Blvd (at Westmoreland)
Los Angeles, CA 90005

GARMENTIA

As a lad, Garmentia yearned for the power of invisibility so he could spy on all sorts of naughty doings. He tried frequently. Unfortunately he stayed visible and created inappropriate situations wherever he went. All attempts to be inconspicuous led to greater and greater drama.

And he loved it.

On a night shrouded in secrecy and innuendo, he became the superhero(ine) Garmentia, with the ability to be outrageous in any and all circumstances and to turn the most innocent of events into fabulous scandal.

His/her secret power? S/he can see anyone naked. At any time. This is a mixed blessing.

We can get no details on the change from his modest if sneaky boyhood to his superheroine status. Speculations range from an unfortunate tantric energy exercise and electrical toy incident to a legendary rendezvous with Divine backstage at a John Water’s film festival. Garmentia will not tell. But he is happy to let you speculate.

Garmentia really wanted minions, not sidekicks. Sidekicks are cursed with free will and personality. Instead, he got The Fixer and K-O-Tique. The Minion Guild is such trouble nowadays.

Is Garmentia a superhero(ine) or a villain(ness)? Hmph. Such distinctions are meaningless in the modern world.

THE FIXER

The Fixer spent her youth yearning to be in the right place at the right time, with all eyes upon her. When the doorman at Roppongi Rebel scoffed at her attempts at underage entry, she vowed revenge. She studied with the best PR people, but found her true powers while on red-carpet assignment for E! TV. She was able to meet and greet the best and most scandalous people as if by magic. When her fellow paparazzi grew jealous, she set off on her own.

The Fixer is the ultimate concierge. She can telekinetically find and reserve the best seats in the house, gain entry to the most exclusive clubs, magically supply reservations and get celebrity introductions. She requires and gets the most VIP of treatment. Above all, she demands that extreme attention will be paid.

Her secret power is the ability to cause drunkenness in others with a single glance. It’s very convenient.

Now, Garmentia is an excellent client. All that outrageousness makes for excellent scandal, and there’s always a picture or 5 to sell to the tabloids. But the Fixer has no fixed loyalties. She’ll work with Garmentia as long as it’s fun and profitable, but if she gets a better deal that bitch is toast.

K-O-TIQUE

K-O-Tique made sparks at a very early age. She was scarred from a childhood full of tight, uncomfortable hairdos and scratchy fancy clothes. As soon as she could, she fought back. In her early teens, she found she could make buttons pop, zippers unzip and cause little flash fires in hems and hair using only the power of her mind.

Hilarity and chaos ensued.

She was inspired and fascinated by the Michael Jackson Pepsi incident, and vowed to make wardrobe malfunctions throughout the world. Preferably with very large audiences.

She feeds on chaos, inappropriate attention and (of course) fire. Burning Man and Lightening in a Bottle are fine, but all the flames are expected. That’s just boring. She prefers making ordinary public incidents into spectacular failures, since it’s much better drama.

Of course she can spontaneously ignite. She just hates what it does to her hair.

Why does she hang out with Garmentia? They just look so good together.

March 9, 2012

Prosthetic Animation and superheroes

Opulent Mobility collaborative work in process- with superhero(ine)s  and minions on the side.

The Inspectrix Gadget’s options are growing! Here’s the story board of ideas. Theresa Gehri and I are working out where she stores the extra tools.

Prosthetic Superheroine storyboard

Prosthetic Superheroine storyboard

The character show for Impulse is growing too. (Yes, character, not fashion. No matter how nicely it fits, my wearable works are the opposite of fashion. )

Meet Garmentia, K-O-Tique and the Fixer. They’re superhero(ines) and minions of a different flavor!

Garmentia and her Minions

Garmentia and her Minions

More is coming. Hints will be given.

I would tell you more, but then I’d have to kill you.

February 17, 2012

Opulent Mobility anime begins…

Prosthetic Superheroine

Prosthetic Superheroine

The character is created, her super powers are in process.

I’ll come up with her name soon.

Let the story boarding commence!

February 14, 2012

Updates on Opulent Mobility

Driven- back 3/4 view

There is so much to report.

First off- my first solo show is in the planning stages! Opulent Mobility is tentatively scheduled for February 2013. The gallery is TBD, but we’ve got dibs on a lovely place in downtown LA.

Of course, the show will include Driven, The Edwardian Cyborg Wheelchair and Le Flaneur/ the SteamWalker.

Collaborative plans include a superheroine prosthetic animation with Theresa Gehri and a mixed organic media prosthetic device with the fabulous Alan deForest. Check out Alan’s fabulous atrocities at http://lostmuertosart.com/sculpture.html and Theresa’s Ocean Kiss at http://www.youtube.com/watch?v=OZO7AFRRyac.

New works in process are the Jazz Age Roadster/Scooter and The Clockwork Brace.

I’ve just become a board member of the Haggus Society, a fabulous feminist arts collective for women artists over 40 with edge.  I’ve never been a board member before, but Terri Lloyd, Monica Marsh and Nina Ehlig promise to help guide me.  The Haggus Society gave me the push I needed to get this show on the road.

Check them out here! http://thehaggussociety.wordpress.com/

And yeah, Driven and Le Flaneur are due to be published in Steampunk- A Complete Guide to Victorian Techno-Fetishism by Vienna Von Schwartz. More information on that as it comes.

I am honored and profoundly lucky to have such great companions.

Here’s some of the imagery I’ve been researching- genuine Victorian prosthetics plus a modern update. May they inspire you too.

Victorian Prosthetic

Victorian Prosthetic

Hammer Prosthetic

Hammer Prosthetic

Immaculate Prosthetic Device

Immaculate Prosthetic Device

February 6, 2012

Clare Graham, Re-Purposer Extraordinaire!

Sometimes I need to share my inspirations.

Clare Graham makes the most fabulous piece of art out of the most unremarkable things.

His pop-top furniture, curved yardstick torsos, coral reefs of buttons and Scrabble tile mazes fill me with glee and awe. Tin cans, bottle tops and dominoes work as his building blocks. And the creations just make the child in me so very happy.

You must see this. I swear, you’ll be inspired. And you may never look at discarded items the same way again.

Clare Graham Buttons

Clare Graham Buttons

Clare Graham Pop Tops

Clare Graham Pop Tops

Clare Graham Tin Cans

Clare Graham Tin Cans

http://www.claregraham.com/ARTpageHOME.html

January 13, 2012

Arrangements

And now, the stories begin.

Settling themselves into the ship and readying themselves for the journey? Dull and full of petty squabbles. Suffice it to say that all of the travelers are tired of one another by the time they’ve picked their berths, and no one wants to share a space with the Scholar OR the Princess.

The Dark Lady has many offers to share her bunk. She remains uninterested in personal contact beyond her food requirements. Food, in fact, makes up the bulk of her luggage. Frozen vials and bladders of blood are carefully stored in the coolest parts of the ship. She keeps no small creatures to feed upon, preferring the fresh taste of fear in new victims.

After all, if you can’t hunt for it, what good is it? You may as well dine off bloodsicles.

The Pirate Queen understands the fascination her fellow travelers have for the Dark Lady. She shares it. Since she has no wish to lose her fellows for the Dark Lady’s snacking purposes, she finds her a cozy and separate bunk without portholes. There may well be losses along the journey, but she’d prefer that they happen later.

The Dark Lady faces down the Ringmaster

The Dark Lady faces down the Ringmaster

January 7, 2012

My Theory of Deconstruction

Why deconstruction?

You have no idea, unless you’ve done this for a living. For years.

You can’t know how infuriating it is to have construction, materials and styles dictated to you by people with no idea of how things are actually made. Who will argue with you about the physical properties of fabric and zippers and notions- arguments you can only answer with “they just don’t work that way”. What it’s like to explain ad infinitum (and ad nauseum) how materials go together to make a garment.

Many designers insist that their creations appear magical. That the garments not appear as having been constructed so much as sprung full-form from the designer’s head like gods and goddesses.. This vantage point views actual visible seams as being evil. And understanding that actual people, working with actual machinery MADE these garments is somehow wrong.

Piffle.

These items are made. With human, bleeding, actual hands. And the stories behind their making can be horrifying to relate. Viewing the seams shows you the process and the artistry. Wearing seams on the outside is hardly more fragile than wearing them on the inside- after all, all the seams get washed and worn and used, no matter where they are.

Yes, I want you to see them.

So many of the items we use every day are used without that understanding- that actual people MAKE these things. That there is a process involved in the creation of everything. For some, meat only appears in cellophane wrapped packages and furniture just shows up at the doorstep. Knowing where things come from can only make us more aware.

Know how thy bonds are made. For in knowing the source, we are set free.

Making in Action

Making in Action

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